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-====== ʻuluʻulu guide to the universe (of archival practices as performed by ʻuluʻulu staff)====== 
  
-First there was the archive. 
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-Now we explain the functioning of the archive for the purposes of intra-archive communication and crystallization of intra-personal understanding of archival process. ​ This guide can also be used as an inter-organizational expression of principals and methods among the archival community, as well as the community at large, although the nature of the guide will tend toward the overly technical. 
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-Many things are happening. ​ Next thing you((ʻUluʻulu staff member)) know, there are new materials, new archival materials, that maybe will be part of the archive. ​ What to do?  Curatorial inspection! ​  Next: 
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-ACQUISITIONS 
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-Are there materials to be added to the archive? ​ Selected or pending, anything that we want to keep track of in our integrated library archive system, needs an acquisition record. ​ But how? 
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-Please see the NEW ACQUISITION GUIDE (a guide for new acquisitions) 
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-ACCESSIONING 
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-Let's talk accessioning. ​ Is there an acquisition record for the materials you are accessioning? ​ If not, please lift your eyeballs and read about ACQUISITIONS. ​ If there is, please enter MAVIS and go to the accession tab.  Has the process been begun? ​ If no, you are just the person to get this process moving. ​ So, do it already. [editor'​s note: must include more detailed instructions] 
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-Next:2 
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-Please see the ACCESSIONING VIDEO TAPES FLOWCHART (if you are accessioning video tapes)3 
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-Ah, that was good fun I bet.  Now you must surely have a .csv file to import into SAMMA Prep.  IMPORT!!!! [editor'​s note: must include more detailed instructions] 
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-ALTERNATE ACCESSIONING PROCEDURES 
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-Please see the ACCESSIONING BOXES aka BOXALOGING GUIDE (for accessioning items on the box level) 
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-or 
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-Please see the ACCESSIONING ON THE FLY FLOWCHART (if you are accessioning items "on the fly") 
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-CLOSING THE ACCESSIONING PROCESS 
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-Have you accessioned all of the items acquired within a specific acquisition? ​ If so, you need to "close the accessioning process." ​ Not sure how to do this?  How about some more detailed instructions. 
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-STANDARD WORKFLOW 
-[note: process needs confirmation] 
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-This section refers to the standard workflow for the entire digitization process. ​ Digitization of videotapes will proceed a box at a time.  Boxes shall be loaned out to the digitizer of tapes. ​ In instances where the tapes being migrated are not grouped at the box level, items shall be loaned out individually to the digitizer. ​ Loans occur at the earliest possible time during the standard accessioning/​inspection/​migration process. ​ This generally means that the loan takes place at the start of the accessioning process. ​ For individual tapes, it might be necessary to accession an item before loaning it out.  For loan instructions,​ see below. ​ If the plan is for items to be accessioned and inspected cleaned, but not migrated, or just accessioned and inspected, or just accessioned,​ then loan can be made to accessioner. 
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-PHYSICAL INSPECTION 
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-Please see the SAMMA MANUALS (subsection 1. Prep) 
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-Also, the IMPORTING PREP XML GUIDE 
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-CLEAN 
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-Please see the SAMMA MANUALS (subsection 2. Clean) 
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-Also, the IMPORTING CLEAN XML GUIDE 
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-MIGRATION (SAMMA) 
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-Please see the SAMMA MIGRATION GUIDE 
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-Also, the IMPORTING SOLO XML GUIDE 
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-Also, the (non-existent) SAMMA POST-MIGRATION METADATA IMPORT GUIDE 
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-MIGRATION (FCP) 
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-Please see the MIGRATING WITH Final Cut Pro GUIDE 
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-BULK IMPORTING OF ITEMS 
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-Here we shall discuss the importing of items. ​ This relates mostly to importing digital items, as physical items should generally be accessioned one at a time.  Sometimes we receive digital items from a vendor that are copies of analog items. ​ Every once in a "blue moon" we receive digital items directly from donors. ​ All of these can be imported through the MAVIS xml import process. ​ Also, digital items copied from other digital items (in house) can be bulk imported. ​ We shall break the guide into two sections: Original and Copied. ​ Original items refer to items that were acquired by the archive. ​ Copied Items refer to items that were created from items that already exist in the archive. ​ Each of these imports might necessitate a new .xsl stylesheet. 
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-Original Items 
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-Please see the BULK IMPORT GUIDE : Original Items 
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-Copied Items 
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-Please see the BULK IMPORT GUIDE : Copied Items 
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-TITLES 
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-Titles are an important feature of the ʻUluʻulu universe; they are the windows to the Archive'​s vast treasury of treasures through which the public shall gazingly gaze.  The ʻUluʻulu OPAC4 is built with a MAVIS metadata backend, and a resource is not visible to the viewer without said resource possessing a MAVIS title. ​ Unattached items—invisible. ​ MAVIS collections—invisible. ​ MAVIS titles with title purpose "​Collection"​—both browseable and searchable. So make me some titles, then, dear cataloger. 
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-Please see the TITLE CREATION GUIDE and other sorted sundries 
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-Clips 
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-The creation of clips is described in the above Title Creation Guide. 
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-LOANS 
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-External Loans 
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-External loans are discouraged. ​ However, there is an understanding between the Archive and certain donors that the materials they donated shall be accessible to them.  While donors are entitled to receive a digital copy of all digitized items, there is apt to be a large backlog of non-digitized items. ​ If possible, a requested item should be digitized on demand. ​ However, if this is unpossible, an item may in fact be "​loaned out" to an agent external to the '​Ulu'​ulu Staff Community. ​ Discretion must be taken. ​ Is an item an only copy that is in poor physical condition? ​ And so on and such and such.  Preference given to dub copies of titles. ​ Contact information of borrower shall be obtained. ​ You want detailed instructions?​ 
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-Please see the EXTERNAL LOAN : Loaning Out FLOWCHART 
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-Also, please see the LOANS : Ingesting FLOWCHART 
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-Internal Loans 
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-Sometimes we like borrow items for "​internal"​ reasons. ​ Such as, for example, digitizing a box of tapes. ​ If an item (box or tape or what have you) is going to be moved from its "​permanent location",​ please "​loan"​ the item out to a staff member. ​ This way we have a better idea as to where the items are currently existing within the space-time continuum. ​ Thank you. 
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-Please see the INTERNAL LOAN : Loaning To Ourselves FLOWCHART 
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-Also, please see the LOANS : Ingesting FLOWCHART 
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-DEACCESSIONING 
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-We have discussed accessioning,​ in which we mark the entrance of items into the ʻUluʻulu Archive. ​ But, what of an item's departure? ​ There are indeed times when an item, previously accessioned into the Archive, will be chosen for removal. ​ Perhaps it was an item "on loan for copying"​ or perhaps it is not getting along with the other carriers. ​ Whatever the reason, the removal of an item from the Archive needs to be marked. ​ The item needs to be de-accessioned. ​ You want instructions?​ 
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-Please see the DEACCESSIONING MATERIALS FLOWCHART 
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-OTHER STUFF 
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-MAVIS 
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-MAVIS, a leading Media Asset Management System, is the backbone of the '​Ulu'​ulu metadational system. ​ Ideally, everything goes into (and comes out of) MAVIS. ​ Whilst procedurally referred to elsewhere in the guidebook, MAVIS shall be further described in this section. 
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-UPGRADE INSTRUCTIONS 
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-Please see the MAVIS UPGRADE PROCEDURES: who upgrades and how GUIDE 
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-XSL STYLESHEETS 
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-Please see the (unfinished) MAVIS STYLESHEET GUIDE 
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-CODE TYPES, LIST VIEWS, and the like 
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-Please see the (unfinished) CODE TYPES, LIST VIEWS, and the like GUIDE 
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-mavis01 WEBSITE 
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-Please see the ʻULUʻULU STAFF PAGE: an internal website GUIDE 
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-ARCHIVE POLICY 
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-So many policies we have here.  Perhaps we shall link to a few. 
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-CATALOGING 
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-Here we find general and specific notes. ​ Notes on the cataloging process. ​ Notes about the structural foundations of the semantic Archive. 
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-Please see the CATALOGING THE ARCHIVE: philosophy, theory, and policy 
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-MEDIA SPECIALIST NOTES 
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-Here we find notes for the media specialists amongst us.  Stuff related to SAMMA, or the Final Cut Pro Workstation,​ or whatever. 
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-Please see the SAMMA MIGRATION SET UP notes 
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-Please see the MEDIA SPECIALIST NOTES 
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-CLIMATE NOTEBOOK 
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-Climate Notebook® is our climate monitoring software. ​ The ʻUluʻulu archive utilizes the PEM2®, a preservation environment monitor, and, indeed, the next generation of compact electronic dataloggers created by the good folks at the Image Permanence Institute at the Rochester Institute of Technology. ​ Monthly readings are taken and imported into the Climate Notebook software, which in turn creates a monthly report to be sent out to all relevant climate-minded persons. 
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-Please see the CLIMATE NOTEBOOK step-by-step handy reference guide for step-by-step instructions messages related to climate monitoring 
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-SCANNING GUIDELINES 
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-We are not sure if general practice scanning guidelines exist. ​ It is likely that file-naming guidelines for scans to be backed up on the ODB do not yet exist. ​ However, perhaps this guide will let you, the ʻUluʻulu scanner, know how to operate the ʻUluʻulu scanner. ​ Good luck. 
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-Please see the Instructions for scanning KGMB ENG News File logsheets document 
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-ON DEMAND DIGITIZATION 
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-This shall refer to non-standard workflow requests for digitization. ​ This process shall be tracked through order forms and is therefore slightly different from standard digitization procedure. 
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-Please see the ON DEMAND DIGITIZATION:​ give the people what they want GUIDE 
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-BACKING UP THAT DATA and other scheduled events 
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-Every [period of time], the media specialist will transfer digital files to the ODB30 server. ​ This includes digital files produced from migrated tapes, clean pdfs, solo pdfs, and scanned documents. ​ A workflow for backing up these items would be beneficial to the clean functioning of the ʻUluʻulu workplace. ​ Note for future workflow: MAVIS Workstation #1 Desktop contains a folder titled "stuff to give to robbie to send to UH for metadata backup,"​ which is the temporary home for stuff to give to the digital media specialist for placement on the ODB30 server. 
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-Actually, all sorts of stuff should be happening at scheduled intervals. ​ Maybe an overall time schedule would be beneficial to the smooth functioning of the Archive. 
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-Please see the (non-existent) ʻULUʻULU CALENDAR OF RECURRING EVENTS 
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-BUSINESS CARDS and other templates 
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-Somewhere in the world, there exists od 717-631 business cards - matte white templates for ʻUluʻulu staff members. ​ Also, perhaps, there exists .xcf images to be manipulated with proper text and imagery. ​ These are the raw materials of the ʻUluʻulu business card.  Also, a template called Avery Template 5366 - White File Labels 45366 is most likely in existence, and most likely corresponds to a batch of ʻUluʻulu file labels. ​ Use these templates at your own discretion. 
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-GENERAL INFORMATION 
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-Do you need instructions on how to call a specific person on the telephone? ​ Or how to connect to a specific wireless Internet connection? ​ Or perhaps you would like to log into a specific password protected website account. ​ General Information.docx can do all of these things. ​ And more! 
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-Future Guidebook Additions 
-Ask Janel what files she has (file naming conventions,​ tape count instructions,​ overall workflow docs,etc.) 
-set up links to mavis01 website pdfs.  create table of contents for guidebook 
-postSammaMigrationMetadata 
uluulu.1341258673.txt.gz · Last modified: 2019/06/28 16:42 (external edit)