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The title creation process is not necessarily a linear one. In general some things should be done before others, but often times, the order of title creation can change. That being said, let us delve into the creation of titles.
The creation of titles must come after some level of curatorial inspection has occurred. As titles are public viewable, they should only be created after confirmation of their existence within the Archive. For each new collection, the first title to be created should always be the Collection title. Again, this must be a confirmed collection accepted into the Archive, and a MAVIS Collection Authority record should already exist. In most cases, a Collection title is created shortly after a collection becomes ʻUluʻulu official.
Log into MAVIS
Open Titles Module
Check if title already exists
Create new title (if one does not exist)
Enter Metadata
Depending on how much curatorial inspection has occurred, a collection might already have been broken down into smaller categories. If a set of Subcollections has been firmly decided on, Subcollection titles can be created as well. Smaller groupings, such as subgroups and collectives could also be determined a priori to an accessioning and/or boxaloging process, but it might be better to create these titles during the accessioning/boxaloging process itself. How to create these lower-level collective titles?
Log into MAVIS
Open Titles Module
Find Collection Title
Open Collection Title
Create lower-level title
Enter Metadata
Note: If creating additional titles on the same level of a contents tab, you can clone the previously created title. This will copy title, purpose, medium(s), summary, credits, subjects, production, notes, and possibly other things, so make sure the proper changes are made to the new title.
Open previously created title (if not already open)
Clone title
Change/add metadata
Due to the nature of the ʻUluʻulu collections, along with the nature of moving images themselves, cataloging of work titles typically happens after an item has been accessioned, digitized, and viewed. Otherwise, it is often nigh impossible to determine what titles actually exist on the physical carriers. The ʻUluʻulu workflow writing committee supposes that one could create work titles before digitizing—indeed, series titles such as Enduring Pride are one such example—however, for now we will stick with the standard procedures.
Accession items
Digitize items
Put access files on cataloger computer
Find items in MAVIS client
Watch and shot log items
Determine titles
Create titles.
Attach secondary components to the newly created first title titles.
Edit newly created titles.
Move titles into proper hierarchy1)
Additional steps for umbrella titles
Add technical production info for non-Umbrella titles
Okay, okay, That is a good start to cataloging. Now you've got yourself some titles. Why not take a break and start the clip-making process! After you have added clip data to the spreadsheet, you can return to fleshing out your new title records.
The next step in title creation is the adding of clip info into the online clip info document. Okay, so this is not title creation, but clip creation. However, these two things go hand in hand. After a new title has been created, it is ready to have a clip attached. As reference material. To the title. Aha, it is part of the process of a title's creation and re-creation. Um, where were we. Oh yes, we need to start the clip making process moving along, and shortly after the creation of a bunch of new titles is a good time to do it. Let us add some clip info to the spreadsheet.
As per usual, we begin with this step:
Log into MAVIS
Open Titles Module
Find work titles
Remove titles that were already added to the spreadsheet, titles that will not receive clips
Print preview to csv
Copy into online doc
Input Source Item Info
Okay, good job there, Cataloger. At this stage you can return to fleshing out your title records, while the Media Specialist does what the Media Specialist does. Check back here later, though, to finish the clip making process.
Okay, now it is time to attach the clips as reference material to the titles. This is a bulk import process. Hooray!
If you have not done it already, it is time to flesh out your title records. This process takes the form of a series of concentric circles, with the Cataloger making multiple cataloging passes through a grouping of titles, adding layer upon layer of metadata. Alternately, or additionally, a bulk import of title info can be performed (see below). I suppose this process really depends on what metadata already exists for these titles. At the very least, there should be information in the component records (notes on what was written on the tape and container should be in the Notes field of the Notes tab; shot log information should be in the Shot Log tab). So, whatever metadata resources you are referring to should be open during the cataloging process. That can include the video itself. Anyway.
Open Your Titles
Add Your Metadata
So you have created titles, given them clips, maybe added some cataloging information. Pretty good. But how about bulking up those catalog records some more? Maybe you have a group of titles that share a good deal of metadata. Maybe you want for do a bulk import. Let me walk you through that process.
So, is there any more to do in terms of title creation? Well, you can always refine, maybe writing a better summary, adding more subjects, a few more credits. And reference materials. You can add reference materials. Links to websites, pictures, pdfs, and the like. And so on. We will add more to this guide if we thing of anything else. Until then.
END OF GUIDE